The Tlingit Indians of southeastern Alaska are known for their totem poles, Chilkat blankets, and ocean-going canoes. Nora Marks Dauenhauer is a cultural emissary of her people and now tells the story
of her own life within the context of her community's. Life Woven with Song re-creates in written language the oral tradition of the Tlingit people as it records memories of Dauenhauer's
heritage--of older relatives and Tlingit elders, of trolling for salmon and preparing food in the dryfish camps, of making a living by working in canneries. She explores these recurring themes of food
and land, salmon and rainforest, from changing perspectives--as a child, a mother, and a grandmother--and through a variety of literary forms. In prose, Dauenhauer presents stories such as
"Egg Boat"--the tale of a twelve-year-old girl fishing the North Pacific for the first time alone--and an autobiographical piece that reveals much about Tlingit lifeways. Then in a section
of short lyrical poems she offers crystalline tributes to her land and people. In a concluding selection of plays, Dauenhauer presents three Raven stories that were adapted as stage plays from
oral versions told in Tlingit by three storytellers of her community. These plays were commissioned by the Naa Kahidi Theater and have been performed throughout America and Europe. They take the form
of a storyteller delivering a narrative while other members of the cast act and dance in masks and costumes. Collectively, Dauenhauer's writings form an "autoethnography," offering new
insight into how the Tlingit have been affected by modernization and how Native American culture perseveres in the face of change. Despite the hardships her people have seen, this woman affirms the
goodness of life as found in family and community, in daily work and play, and in tribal traditions.
The Lukaax.ádi (Sockeye clan) woman from Alaska invites us to feast on 'slices' of herself in the form of prose, poetry, and plays elegantly and skillfully carved to nourish our spirits. . . . Her offerings, from the loving dedication to the striking pose on the back cover, are organized with passion and purpose.
A wonderful collection . . . giving readers access to a Native tribal language and culture that is very much alive, nurtured and celebrated by its members.
International Fiction Review