A white woman navigates her fear and uncertainty to learn the ways of the people she called savages, until she begins to dream "in Dakota, syllables sliding / on my tongue like tender pieces of meat."
An African man, on display as a cannibal at the World's Columbian Exposition in 1893, sees into the future: "humiliations heaped up / as on overfilled plates . . . / . . . a country that casually /
consumes its own." A woman holds the gray-blue barrel of a gun in her mouth, "the taste familiar / as her own blood."
Second Place co-winner, Best Poetry,
Latino Literary Hall of Fame, 2002
Rawly effective . . . Chávez has done careful historical research, and it lets her give stark details from many scenes of oppression. . .The poems' indignation, moral force and historical interest compel careful, engaged reading.
A powerful, haunting, eloquent collection . . . This is first-rate narrative poetry from a poet who does her homework and understands the power of words-and history.
With an unexcelled command of narrative verse, Lisa Chávez tells the
stories of American lives across more than a century. Whether retelling nineteenth-century captivity narratives or depicting contemporary American women confronting addiction and despair, Chávez
investigates issues of identity and self-definition in the face of an often harsh and unremitting history.
Her story-poems explore the ways in which people have been made captivewhether to
racism or national policy, to bad marriages or alcoholism, to poverty or emotionfrom the Inuit woman birthing a son among strangers to the wife now deranged by desire for another man: "He's the
smoky slow-burn of chipotle on the tongue. My golden idol. My gospel revival. He's hashish sweet and languorousmy body's one desire."
In the end, Chávez shows us a New World of promise
in which an alchemist's assistant summons stories from stones by calling their names with "clicks of her tongue, / syllables of silver, turquoise, and jade," and a Native woman discovers her true
power in an Alaskan bar. Passionate and political, In an Angry Season is a work of startling depth and breadthan American history in poetrythat asks us what it means to be civilized.