Foreword by Nancy Scheper-Hughes
"Very occasionally, a book happens along which is so honest and raw in its treatment of an otherwise dispassionate subject (in this case drought) that it can
move the reader to tears. Nicholas Arons has accomplished just such a rare feat in his poetry-studded narrative of the reasons for, and the multi-layered reactions to, the cyclical phenomenon of
drought in northeastern Brazil." —Journal of the Royal Anthropological Institute
Rarely has any work so deeply touched, infuriated and, surprisingly, imbued me with such hope...a noble, poetic book.
—Studs Terkel, author of Hope Dies Last: Keeping the Faith in Difficult Times
A passionate investigation of the contradictions of drought and injustice in the Brazilian northeast.
—Thomas Skidmore, author of Modern Latin America and Politics In Brazil
A lyrical, close-to-the ground account of the cultural politics and poetics of living in the wings of an impending disaster.
—Nancy Scheper-Hughes, author of Death Without Weeping : The Violence of Everyday Life in Brazil
When droughts hit northeastern Brazil, thousands of rural workers are forced to abandon their homes for the
cities in search of work. The double impact of drought and corruption with politicians taking advantage of droughts to buy votes and pilfer government accounts contributes to an endless cycle of human
In order to understand the impact of drought and the phenomenon of drought politics, Nicholas Arons goes beyond traditional social-science scholarship to sources such as novels,
poetry, popular art, and oral history. For many people in the region, these artistic renditions of life are, ironically, a better reflection of reality than political rhetoric, government archives,
and newspaper accounts, even though they are infused with myth or hyperbole. Drawing on interviews with artists and poets and on his own experiences in the Brazilian Northeast, Arons has written a
poignant account of how drought has impacted the region's culture. He intertwines ecological, social, and political issues with the words of some of Brazil's most prominent authors and folk poets to
show how themes surrounding drought, hunger, migration, endurance, and nostalgia for the land have become deeply embedded in Nordeste identity. Through this tapestry of sources, Arons shows that what
is often thought of as a natural phenomenon is actually the result of centuries of social inequality, political corruption, and unsustainable land use.
Waiting for Rain dramatically
depicts a region still suffering from austere social and political realities, where drought, even during rainy seasons, is ubiquitous in the hearts and minds of its residents. A book of hope and
resistance, myth and reality, and suffering and salvation, it is also a personal narrative of self-discovery, tracing a young man's struggle to understand how human tragedy on a grand scale can exist
alongside natural beauty.