From the high plains of Canada to caves in the southeastern United States, images etched into and painted on stone by ancient Native Americans have aroused in observers the desire to understand their
origins and meanings. Rock paintings and engravings can be found in nearly every state and province, and each region has its own distinctive story of discovery and evolving investigation of the rock
art record. Rock art in the twenty-first century enjoys a large and growing popularity fueled by scholarly research and public interest alike.
Discovering North American Rock Art is a superb scrutiny especially recommended for students and art historians interested in North American Archaeology and Native American Studies, as well as this ancient and enduring form of artistic human expression
—Midwest Book Review
Overall, this book will be of interest to rock art specialists and students.
—Great Plains Research
This book explores the history of rock art
research in North America and is the only volume in the past twenty-five years to provide coverage of the subject on a continental scale. Written by contributors active in rock art research, it
examines sites that provide a cross-section of regions and topics and complements existing books on rock art by offering new information, insights, and approaches to research.
part of the volume explores different regional approaches to the study of rock art, including a set of varied responses to a single site as well as an overview of broader regional research
investigations. It tells how Writing-on-Stone in southern Alberta, Canada, reflects changing thought about rock art from the 1870s to today; it describes the role of avocational archaeologists in the
Mississippi Valley, where rock art styles differ on each side of the river; it explores discoveries in southwestern mountains and southeastern caves; and it integrates the investigation of cupules
along Georgia's Yellow River into a full study of a site and its context. The book also compares the differences between rock art research in the United States and France: from the outset, rock art
was of only marginal interest to most U.S. archaeologists, while French prehistorians considered cave art an integral part of archaeological research. The book's second part is concerned with working
with the images today and includes coverage of gender interests, government sponsorship, the role of amateurs in research, and chronometric studies.
Much has changed in our understanding
of rock art since Cotton Mather first wrote in 1714 of a strange inscription on a Massachusetts boulder, and the cutting-edge contributions in this volume tell us much about both the ancient place of
these enduring images and their modern meanings. Discovering North American Rock Art distills today's most authoritative knowledge of the field and is an essential volume for both specialists