Poet, novelist, essayist, playwright, and author of more than thirty books, Diane Glancy has established herself as one of the country's most versatile and prolific writers. Distinguished by her
laconic honesty, her unflinching eye, and her skillful articulation of the commonplace, she presents Native American lifeespecially the ways it intersects with nonnative culturein all its
complexity and nuance. In her new collection of poems, she explores the history of loss that has marked the Cherokee community. In a voice that is as economical as it is eloquent and as
sophisticated as it is exhilarating, she describes the loss of family, the loss of cultural heritage, and the loss of old worlds as new ones encroach. In one poem, a farm auction becomes an
auction of culture, of heritage, of the past. In others, ancestors meet in a twenty-four-hour café, lunch is shared with a great-grandmother who has been traveling the universe, Christ appears as
a cowboy in an apocalyptic vision, and Clytemnestra is discovered in a snakeskin. Some of the poems are as campy as a duck-decoy Custer in a shooting gallery. Some glitter with dime-store glue.
Others speak with the reflection of sunlight off a stream. Sometimes the verse produces a shortstop language on the baseline of experience. In whatever form they take, Glancy's poems stimulate and
challenge the reader with their unfettered, unadorned, and unpretty purity. This collection is not only a spirited ride across the Great Plains, it is also an important addition to the literature of
white-Native American cultural relationships.
Glancy writes eloquently and knowingly of her Cherokee heritage, and it is the threat to these roots, the comfort of ancestors, the spiritual journey, and the nature and power of faith that concern her in these new poems. Recommended for collections of contemporary American poetry and Native American literature.