Native performance is a multifaceted and changing art form as well as a swiftly growing field of research. Native American Performance and Representation provides a wider and more comprehensive
study of Native performance, not only its past but also its present and future. Contributors use multiple perspectives to look at the varying nature of Native performance strategies. They consider the
combination and balance of the traditional and modern techniques of performers in a multicultural world. This collection presents diverse viewpoints from both scholars and performers in this field,
both Natives and non-Natives. Important and well-respected researchers and performers such as Bruce McConachie, Jorge Huerta, and Daystar/Rosalie Jones offer much-needed insight into this quickly
expanding field of study.
…provides fascinating insight into the rich arts and artistry of post -'60s Red Power theater, representation, and multimedia arts in Indigenous North America.
–Great Plains Quarterly
Wilmer's book gives performance students and scholars a much-needed resource: a text that examines an array of performance traditions from an array of perspectives, initiating a dialogue across the disciplines of theater, music, dance, and visual art on the presentations and representations of and by indigenous peoples.
—Ann Haugo, co-editor of Querying Difference in Theatre History
This volume examines Native performance using a variety of lenses, such as feminism, literary and film theory, and postcolonial discourse. Through the many
unique voices of the contributors, major themes are explored, such as indigenous self-representations in performance, representations by nonindigenous people, cultural authenticity in performance and
representation, and cross-fertilization between cultures. Authors introduce important, though sometimes controversial, issues as they consider the effects of miscegenation on traditional customs,
racial discrimination, Native women's position in a multicultural society, and the relationship between authenticity and hybridity in Native performance.
An important addition to the new
and growing field of Native performance, Wilmer's book cuts across disciplines and areas of study in a way no other book in the field does. It will appeal not only to those interested in Native
American studies but also to those concerned with women's and gender studies, literary and film studies, and cultural studies.