Before the 1930s, landscapes of the American Southwest represented the migrant's dream of a stable and bountiful homeland. Around the time of the Great Depression, however, the Southwest suddenly
became integrated into a much larger economic and cultural system. Audrey Goodman examines how—since that time—these southwestern landscapes have come to reveal the resulting fragmentation of
identity and community.
This book looks at some old phenomena in innovative ways and suggests new and informative ways of thinking about the Southwest. It combines and compares some seemingly unrelated texts in an illuminating fashion.
—Tom Lynch, author of Xerophilia: Ecocritical Explorations in Southwestern Literature
Through analyzing a variety of texts and images, Goodman illuminates the ways that modern forces such as militarization, environmental degradation, internal migration,
and an increased border patrol presence have shattered the perception of a secure homeland in the Southwest. The deceptive natural beauty of the Southwest deserts shields a dark history of trauma and
decimation that has remained as a shadow on the region's psyche. The first to really synthesize such wide-ranging material about the effects of the atomic age in the Southwest, Goodman realizes the
value of combined visual and verbal art and uses it to put forth her own original ideas about reconstructing a new sense of homeland.
Lost Homelands reminds us of the adversity and
dislocation suffered by people of the Southwest by looking at the ways that artists, photographers, filmmakers, and writers have grappled with these problems for decades. In assessing the ruination of
the region, however, Goodman argues that those same artists and writers have begun to reassemble a new sense of homeland from these fragments.