Broken Souths offers the first in-depth study of the diverse field of contemporary Latina/o poetry. Its innovative angle of approach puts Latina/o and Latin American poets into sustained
conversation in original and rewarding ways. In addition, author Michael Dowdy presents ecocritical readings that foreground the environmental dimensions of current Latina/o poetics.
Adds a much-needed, meticulous, and nuanced argument to the field.
—American Literary History
The book is characterized not by McGlennen's elegance but by an equally invigorating bubbling, thick abundance of relational, critical, and informational texture.
A just account of the power of poetry to reimagine the social-political structures that confine, destroy, and/or displace entire populations. . . . This work serves as the literary complement to the treatises of Naomi Klein, Greg Gandin, and Stephen Kinzer, to name a few.
A magnificent piece of writing in terms of originality, sophistication, and scope.
—Francisco A. Lomelí, co-author of Imagined Transnationalism: U.S. Latino/a Literature, Culture, and Identity
argues that a transnational Latina/o imaginary has emerged in response to neoliberalism—the free-market philosophy that underpins what many in the northern hemisphere refer to as "globalization."
His work examines how poets represent the places that have been "broken" by globalization's political, economic, and environmental upheavals. Broken Souths locates the roots of the new
imaginary in 1968, when the Mexican student movement crested and the Chicano and Nuyorican movements emerged in the United States. It theorizes that Latina/o poetics negotiates tensions between the
late 1960s' oppositional, collective identities and the present day's radical individualisms and discourses of assimilation, including the "post-colonial," "post-national," and "post-revolutionary."
Dowdy is particularly interested in how Latina/o poetics reframes debates in cultural studies and critical geography on the relation between place, space, and nature.
features discussions of Latina/o writers such as Victor Hernández Cruz, Martín Espada, Juan Felipe Herrera, Guillermo Verdecchia, Marcos McPeek Villatoro, Maurice Kilwein Guevara, Judith Ortiz
Cofer, Jack Agüeros, Marjorie Agosín, Valerie Martínez, and Ariel Dorfman, alongside discussions of influential Latin American writers, including Roberto Bolaño, Ernesto Cardenal, David Huerta,
José Emilio Pacheco, and Raúl Zurita.