The University of Arizona

Advanced Search
Catalogs The Books The Store News and Events Contact
The Fornes Frame
Contemporary Latina Playwrights and the Legacy of Maria Irene Fornes
By Anne García-Romero
232 pp. / 5.50 x 8.50 / 2016
Paper (978-0-8165-3144-8) [s]
Related Interest
  - Latina and Latino Studies

A key way to view Latina plays today is through the foundational frame of playwright and teacher Maria Irene Fornes, who has trained a generation of theatre artists and transformed the field of
A privileged insider look into the works of these five outstanding playwrights.

—Teresa Marrero, co-editor of Out of the Fringe: Contemporary Latina/Latino Theatre and Performance

The author's conclusions about Fornes and the generation of Latina dramatists are incredibly important and insightful.

—Tiffany Ana López, editor of Growing up Chicana/o: An Anthology

It takes time to appreciate fully the impact of a writer's work and her teachings. This eloquent book is the result of Fornes's legacy and the many Latina writers she inspired.

—Nilo Cruz, author of Anna in the Tropics

American theatre. Fornes, author of Fefu and Her Friends and Sarita and a nine-time Obie Award winner, is known for her plays that traverse cultural, spiritual, and aesthetic borders.

In The Fornes Frame: Contemporary Latina Playwrights and the Legacy of Maria Irene Fornes, Anne García-Romero considers the work of five award-winning Latina playwrights in the early twenty-first century, offering her unique perspective as a theatre studies scholar who is also a professional playwright.

The playwrights in this book include Pulitzer Prize–winner Quiara Alegría Hudes; Obie Award–winner Caridad Svich; Karen Zacarías, resident playwright at Arena Stage in Washington, DC; Elaine Romero, member of the Goodman Theatre Playwrights Unit in Chicago, Illinois; and Cusi Cram, company member of the LAByrinth Theater Company in New York City.

Using four key concepts—cultural multiplicity, supernatural intervention, Latina identity, and theatrical experimentation—García-Romero shows how these playwrights expand past a consideration of a single culture toward broader, simultaneous connections to diverse cultures. The playwrights also experiment with the theatrical form as they redefine what a Latina play can be. Following Fornes's legacy, these playwrights continue to contest and complicate Latina theatre.

Top of Page

(800) 621-2736
(520) 621-1441

© 2016 The University of Arizona Press
Main Library Building, 5th Floor
1510 E. University Blvd.
P.O. Box 210055
Tucson, AZ 85721-0055