Historical documents—and for that matter, historical sources—exist in many forms. The traditional archival sources, including official documents, newspapers, correspondence, and diaries, can be
supplemented by personal archives, oral histories, and even works of fiction, in order for historians to illuminate the past.
Literature as History
reexamines the unresolved relationship between a community's cultural artifacts and its lived historical experience. By approaching literary texts as important parts of the Chicana/o and Latina/o archive, García's study will be instructive for young scholars in a variety of academic disciplines. More important, it will provide teachers a road map for revealing to their students the complexity of the past and its relevance for their present and their future.
—George Mariscal, author of Brown-Eyed Children of the Sun: Lessons from the Chicano Movement, 1965–1975
Finally, a much-needed extensive history of Chicano literature as historical discourse. Amply footnoted, the work covers all genres, thus giving the reader a vision rarely found in any other available work. In brief, a keeper and well-worth the reader's time.
—Rolando Hinojosa-Smith, author of A Voice of My Own: Essays and Stories
Literature as History offers a critical new path for
Chicano and Latino history. Historian Mario T. García analyzes prominent works of Chicano fiction, nonfiction, and autobiographical literature to explore how they can sometimes reveal even more about
ordinary people's lives. García argues that this approach can yield personal insights into historical events that more formal documents omit, lending insights into such diverse issues as gender
identity, multiculturalism, sexuality, and the concerns of the working class.
In a stimulating and imaginative look at the intersection of history and literature, García discusses the
meaning and intent of narratives. Literature as History represents a unique way to rethink history. García, a leader in the field of Chicano history and one of the foremost historian of his
generation, explores how Chicano historians can use Chicano and Latino literature as important historical sources. Autobiography, testimonio, and fiction are the genres the author researches to obtain
new and insightful perspectives on Chicano history at the personal and grassroots level. Breaking the boundaries between history and literature, Garcia provides a thought-provoking discussion of what
constitutes historical sources.
See the contents page.